Tag Archives: Nick Nall

Loony the Moonian makes friends.

Our first published work: Loony the Moonian.

Now that our second story has been published in this year’s 8th Wonder Press Anthology “Uncanny Adventures: Duo #1”, I can finally share with you last year’s story.

This is Nick Nall and I’s first published work. 8th Wonder Press was looking for short story pitches involving the use of science and/or MAD science. I knew I really wanted to use Nick’s mad cartooning skills to make an old fashioned cartoon in the style of the Looney Tunes AND I wanted it to be completely silent. NO dialogue.  We came up with the 12 pages story of how a poor lonely Moonian named Loony literally MAKES friends.

The story was originally published last year in 8th Wonder Press’s Anthology “Uncanny Adventures: Science vs MAD Science”.

I learned a lot from working on Loony. I learned about telling a story with images only. I learned how to better communicate with my collaborator and artists Nick (still working on that). I learned that I should not be so anal about it and let the artist do his job. I learned that sometimes, you should kill your “cool visual ideas” in order to put the story first. And I still learning.


Artist Wanted.

I have been looking for another artist to work with for a little while now. and by little while , I mean MONTHS!

It’s not that I don’t want to work with Nick anymore, I love working with Nick. I just wish I could work with somebody else, get a different experience and write something different for a different style. I also simply have the time to work with several artists since writing takes nearly as long as drawing does.

I got in touch with people I met at Starbucks, emailed people I have met online and even met people through common friends. It seems that I always hit a brick wall though. Some never answer my initial email, like it’s hard to say NO or something. Others just stop communicating along the way, they stop answering emails, etc…. they are basically some fucking slackers and I fucking hate it.

Anyway, I figured that this time I’d put a flyer at the Art Institute near my work. I have yet to get any emails…I am actually thinking of going the Craigslist route.

What do you think of my flyer?




You Creep!

NO…not you. I would never say that to you. You, you’re awesome.

I recently had first hand experience with the creep. See, I already was familiar with the bleed, not that I like her or want to spend time with her, but I know her.

When you want your comic book pages to print passed the edge of the page, it needs to bleed off the page so your documents for print need to have a 1/4 inch bleed (generally). For example, the invitation I made in Photoshop for my in law’s wedding has a bleed. Here, I will share with you the finished product, with added glitter from my dear wifey.


So I printed a “The Activist Collection” recently. It includes all 3 stories Nick and I did. As I prepared the files in Indesign I made sure I had the bleed and not to have anything important outside the safe area.


That’s when the creep came in. The fatter your book, the most likely the creep will creep in (haha, I am so damn funny). The more pages you print of a saddle stitched booklet, the more likely the inner pages will creep out and stick out because of the folding. To make up for it, they get trimmed as well, or at least, that’s what my printer did. This resulted in more than the 1/4 inch bleed being cut off on some of the inside pages. Meaning that it might cut some of your text and whatnot.



Depending on the batch, the trim can creep in even more.


Now it’s not all that bad, considering the nightmare that was the whole printing process. See, my first batch, instead of looking like the proof they showed me, was way, WAY darker. So they ended up printing everything in color (even though most of it is B&W) and they gave me extra copies. All in all, not too bad.

So warning to you wanna be printers, beware the creep!

Stay in the safe area y’ all!




This week I met up with Nick and we collaborated on our next story that just went from 8 to 12 pages.

The reason that happened is that Nick got some very useful feedback from his art group. At first, I was resistant. I was kind of like:” Who the hell do you people think you are? You don’t know shit!”.

Then I took a deep breath and realized this was an OPPORTUNITY. Perhaps it is because I read Steven Pressfield’s The War of Art since then…regardless I re-worked the script and it is even better than before so, yeah. That’s awesome.

It’s hard to take criticism especially if it is deserving. It seems to me that the trick is to not take your work too seriously. It is just a Comicbook after all. And if you are a true collaborator, you know that other people’s critic and feedback on your work is only going to enrich it. So don’t be a pussy about it.


That’s my sock.


Collaborating with an artist is real easy when you’re a writer. You just gotta be kind of a dick. I go through the script with Nick, show him the layouts I have in mind and because he is WAY too nice, he considers them and creates roughs in the moment. I sit there and watch him slave. It’s pretty cool. Seriously though, I do love watching Nick do his thing and bounce ideas back and forth with him. It’s rewarding. I am also glad we get along well enough that we can be real honest about the work.



Take a look at my package!

Yeeeeah, I got it.

I received my package with four copies of 8th Wonder Press Anthology Science vs Mad Science! A huge thank you to Jesse at 8th Wonder Press for being so kind!



A beautiful little book packed with 18 exciting stories.


I am not going to show you the story until a few months down the road but I can show you this:



I also wanted to share the bios that Nick and I provided for the book final pages. Nick’s is especially delightful.



Want to get your own copy? It’s available here on Amazon.

Alright that’s it for this week. Enough celebrating. Time to get back to work.


My package.

I am oh so excited that 8th Wonder press Anthology is out! That means people can “read” out story, the one Nick and I cooked. I put read between “” simply because our story has no dialogue. From the offset, when I was thinking of a story for all ages, I thought back on the Warner Bros Cartoons of my childhood and Loony The Moonian somehow stemmed from that. I always liked it better when Tom and Jerry did not talk anyway.


 Again with that awesome cover by Ryan Dunlavey, the creator behind MODOK: Reign Delay and artist of The Comic Book History of Comics and Action Philosophers.


I was impatiently waiting for my free copy of the book so that I could hold it in my arms, like a baby, and maybe lick it, a little. Then, I discovered that Nick already had received his copy and all I got was this:



Yep, I cropped my address out of the picture,

you goddamn stalker!

I was pretty annihilated, yes, annihilated.

As you can see someone tore opened my package, put their dirty hands inside my package, and pulled out the entire content of my package for their sick, twisted pleasure. Disgusting. My package is now in the hands of some sick post person who thought my package was full of DVDs when, in fact, it was full of Indie Comics. Come one, we both know you can’t read!

I just want my package back.

Thankfully, the awesome people at 8th Wonder Press are sending me a new shiny package.

I cannot wait to touch my package!




You gotta share.

A few weeks ago, Nick shared some of his favorite things with me. Yesterday, I finally got around to watching Studio Ghibli‘s Pom Poko. It is one of Nick’s favorite animated movie and he graciously lent it to me.

I adored it. I had previously watched Spirited Away  and Princess Mononoke but I was not familiar with the story of those Raccoon Dogs and their struggle to save their own habitat.


Nick also lent me Lackadaisy, the printed version of a web comic by Tracy J. Butler.

Watching and/or reading material that Nick enjoys and that he finds inspiring gives me an insight inside his mind. More importantly, it helps me understand his tastes and facilitate our working relationship.


In the past, I also lent Nick some of my favorite Comic Book literature. I believe this is the best way to get to know your artist and for your artist to get to know you.

Recently, I have decided to start sharing with Nick more often. When I read something that I find cool, a kick ass layout and or an awesome splash panel, I snap a picture and text it to him. I am going to do that until he gets sick of it. Pictures are stronger than words after all.


Our first published story.

I want to hold it in my arms!

You might already know that Nick and I got our first short Comicbook story published. If not, let me tell you that Nick and I got our first story published in an Anthology for 8th Wonder Press. We contributed a 12 pages black and white story for all ages. The book itself is fresh off the press and Nick and I are anxiously waiting to receive our comp copies. I personally cannot believe it until I see it.

In the meantime, I figured I’d share the cover for the Anthology by artist Ryan Dunlavey. Click on his name and check out his stuff, you won’t regret it!


I cannot wait!


Top Cow Talent Hunt Loser

That’s right folks, I’m a Top Cow talent Hunt loser!
… And so are hundreds of other applicants.



I know Sara, I am surprised too!

I have yet to receive the official email but the results have been announced (here) and I am not one of the chosen few. What truly bums me out is that I really loved the story I wrote and I am saddened I will not see it drawn. That’s my only regret. Once I am sure I can share it with you guys, I will post it here though. Of course I also wondered why they did not choose my story and I wish I could get some feedback. Why they did not choose my story, well, only they know why and it seems only fair they would tell me such. Unfortunately, with such a high volume of entries, there is no way they can provide individual feedback which truly sucks.

Thankfully, I can comfort myself in the fact that Nick and I’s first published story is about to see the light of day in 8th Wonder Press Mad Science Anthology!



So who’s the loser now, you Cow?


On paper first.

I have been working on an horror story that Nick came up with. I don’t want to spoil anything so I will not talk about the story itself.

I want to pitch to Blood Root so I have to write the actual pitch for it which is NOT the funnest thing ever. Before doing so, I feel more comfortable scripting the whole thing even if only loosely so.

This time, instead of plotting first on my PC, I actually “made” the entire 8 pages story in my notebook and THEN wrote the first draft of the pitch.



You’re not supposed to understand any of this. If you do, please consult with your doctor.

Now, my drawing skills are terrible but since I am a very visual thinker, it helps. Furthermore. I love doing layouts and think about the page as a whole. Also, as the writer that you are, you know that there is something fundamentally liberating about writing and doodling on paper with a pencil. Word-processing can never match that.

Now that I have this framework, I have something to show Nick so I can get his opinion on it and ask him for his artistic expertise. I can also script the whole story, using my “drawings” as a map.

This is not the first time “draw” the entire comic in this fashion. I usually do it along with the scripting or afterwards to check that everything makes sense from a visual standpoint. More importantly, it is a lot of fun to “write” the story that way and pretend that I can draw.